That afternoon, the teacher asked the young man to clean the small storage shed behind the hermitage.
It hadn’t been opened for a long time.
Dust covered the wooden shelves.
When he pulled an old chest from the corner, the lid popped open, revealing objects faded by time:
A worn cloth.
A leatherbound notebook.
A wooden bead mala with small cracks.
A small clay bowl.
He picked up each item gently,
as if touching someone else’s memories.
But something strange happened:
As he touched the objects,
stories about himself began to rise in his mind:
· “I am someone who has failed…”
· “I am someone who is often afraid…”
· “I am someone who must become better…”
· “I am someone who has been hurt…”
These stories appeared like invisible lines of text running through his mind.
He set the notebook down and sat on the floor.
A clear realization arose:
All the stories about “me” were like the objects in this chest—
old, kept for too long,
and no longer relevant to the present.
The teacher stood at the doorway, watching him for a while.
“What are you seeing?”
The young man replied:
“These objects… they’re like the stories about ‘me.’
They’re not me,
but I’ve been carrying them as if they were.”
The teacher smiled.
“Good.
Today you’ve seen:
the self is only a story.”
1. Jiddu Krishnamurti: ‘The self is the story memory tells’
The teacher stepped inside and picked up the worn cloth.
“Jiddu Krishnamurti once said:
‘The self is the story memory tells.’
When you say ‘I,’
you are speaking of:
· what you remember
· what you believe
· what others said about you
· what you fear
· what you desire
All of these form a story.
And you call it ‘me.’”
The young man looked at the old cloth—
it once belonged to someone,
but it was no longer that person.
Just like the stories inside him—
they once belonged to him,
but they were no longer who he was in this moment.
2. Avatamsaka: No inherent nature — no fixed ‘self’
The teacher set the cloth down.
“The Avatamsaka teaching says all phenomena lack inherent nature.
Nothing exists independently or permanently.
The ‘self’ is the same.
It is only a collection of conditions:
· body
· sensations
· perceptions
· mental formations
· consciousness
When conditions change,
the story changes.
There is no real ‘self’ to cling to.”
The young man exhaled—
as if a fog inside him had just been illuminated.
3. When you see the self is only a story…
The teacher said:
“You are no longer trapped in a role.
No longer bound by selfimage.
No longer haunted by the past.
No longer forced to become something.
You see clearly:
The story can change,
but the reader is free.”
The young man smiled—
a smile light as wind.
4. Freedom comes from seeing the self as a story
The teacher said:
“When you see the self is only a story,
you no longer need to protect it,
decorate it,
or prove it.
You become natural like water,
light like breath.”
The young man looked at the old chest—
it was like his mind:
Most of what was inside
did not need to be kept forever.
5. Practice: see the self as a book
The teacher said:
“From today, whenever the mind tells a story about ‘you,’
simply say:
‘This is just a story.’
No believing.
No resisting.
No clinging.
No acting it out.
Just seeing.
And letting the story pass.”
The young man closed the chest.
Not to store it—
but to release it.
He stepped out of the shed feeling as if he had just left an old room inside himself.
The self is a story.
And he is the one reading it.

Bình luận về bài viết này